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In page Blood of the Vampire:

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Warren finds some virtue in the film, though, calling the art direction by John Elphink "imaginative" and noting that "several sets seem positively cavernous", probably because of lens choice by cinematographer Geoffrey Seaholme. But overall the end result is disappointing because Wolfit "is made up to resemble Bela Lugosi, which he otherwise does not" and because "characters pop up, deliver their lines, and are quickly disposed of". In the end, he writes, "Blood of the Vampire is notable today for its bogus qualities: it is a fake Hammer film, about a scientific vampire, with an imitation Bela Lugosi".[2]