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In page Lessons of Darkness:

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The Los Angeles Times' end of year review for 1992 recognised the film as "the year's most memorable documentary", describing it as "Herzog's apocalyptic, ultimately ironic view of the Gulf War".[3] Critic Janet Maslin remarked that the director "uses his gift for eloquent abstraction to create sobering, obscenely beautiful images of a natural world that has run amok";[4] her colleague J. Hoberman called it "the culmination of Mr. Herzog's romantic doomsday worldview".[5] Academic Rachel June Torbett hailed Lessons of Darkness as both "extraordinarily beautiful" and "deeply ambiguous", interpreting the decontextualisation of the geopolitical background as an avoidance which meant that the intent of the work lacked clarity.[2]