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In page The Discreet Charm of the Bourgeoisie:

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On the advice of Silberman, Buñuel used video playback monitors on the set for the first time in his career, resulting in a vastly different style than any of his previous films, including zooms and travelling shots instead of his usual close-ups and static camera framing.[2] It also resulted in Buñuel's being more comfortable on set, and in limiting his already minimal direction to technical and physical instructions. This frustrated Cassel, who had never worked with Buñuel before, until Rey explained that this was Buñuel's usual style and that since they were playing aristocrats their movements and physical appearance were more important than their inner motivation.