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In page An Up-to-Date Conjuror:
"The cinema scholar John Frazer called the mid-air transformation "enchanting", citing the film as a good example of the many short trick films Méliès made "in which the main objective is to demonstrate the white magic possible in the motion pictures."[1] The film scholar Elizabeth Ezra argued that the fluid transformations of gender between the man and woman in the film emphasize "the procreative nature of [the magician's] art".[2] The academician Pasi Väliaho posited that the film "dissolves the identity of forms into vectors of movement", and that it and Méliès's other trick films use bodies "first and foremost as sites of experimentation".[3]
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