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In page Arabic calligraphy:

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Taking Shape: Abstraction From the Arab World, 1950s-1980s, a 2020 installation at New York University's Grey Art Gallery, explored how Arabic calligraphy, with its ancient presence in visual art, influenced abstract art in the Arab world.[3] For Madiha Omar, the Arabic alphabet was a means of expressing a secular identity and appropriating Western painting, while Omar El-Nagdi explored the inherent divinity of Arabic calligraphy.[3]