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In page Antigonae:

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In the history of 20th-century music, Orff's operas on Greek Antiquity constitute an extraordinarily original and highly personal pathway for the avantgarde music theatre after 1950. In the course of the last two decades, Orff’s Hölderlin operas have received more attention than in the years before 2000, not least because of pronounced similarities between Orff's musical language and more recent tendencies of Minimal Music. Of his three operas on drama from Greek Antiquity, especially Antigonae has been able to assert itself in the repertoire, since Arthur Honegger 's opera Antigone (Brussels, Théâtre de la Monnaie, 1927), despite its libretto by Jean Cocteau, has not been able to enter the standard operatic repertory. [5]