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In page The Story of the Glittering Plain:

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The first Kelmscott edition was not illustrated, but used decorated capitals and Morris's "Golden" typeface (after Nicolas Jenson). A second edition appeared in 1894.[1] Morris increased the size of the book from small to large quarto, and changed the typeface to "Troy" (a more Gothic design). Walter Crane supplied illustrations on a profit-sharing basis: these were designed as woodcuts in accordance with Morris's commitment to techniques typical of 15th and 16th-century European book production. Although Crane had trained as a wood engraver, it was agreed that the illustrations could be "cut on wood" by someone else.[2]