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In page Keep the Aspidistra Flying:

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Catherine Blount pointed also to the theme of a London couple needing to go into the countryside in order to find a private place to have sex, which has a significant place in the plot of "Aspidistra" and which is taken up prominently in "Nineteen Eighty-Four".[10] Orwell biographer D. J. Taylor said of Comstock, "Like Dorothy in A Clergyman’s Daughter and like Winston Smith in Nineteen Eighty-Four, he rebels against the system and is ultimately swallowed up by it ... Like Winston Smith, he rebels, the rebellion fails, and he has to reach an accommodation with a world he’d previously disparaged".[6]