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In page István Szabó:

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Budapest Tales was even less successful than 25 Fireman Street at the box office and festivals. According to author David Paul, this may explain why Szabó shifted gears even more dramatically in his next film, Confidence (1980), in which historical events are represented straightforwardly, and are filtered through neither memory nor allegory. The film focuses on the relationship between a man and woman who are forced to share a room as they hide from the Arrow Cross toward the end of the Second World War. It garnered a Best Director award for Szabó at the Berlin Film Festival[10] and was nominated for the Academy Award for Best Foreign Language Film at the 53rd Academy Awards.[11]