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In page Miss Little Havana:

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Stephen Thomas Erlewine's review in Allmusic described Pharrell's rhythms as lively but "straightjacketed", and mentioning that the Cuban-like rhythms are too "stiff and mannered, and certainly not like the colorful, endless party its singer and producer intended".[1] Slant Magazine's Eric Henderson commended Pharrell and Estefan for "managing to avoid the many pitfalls left in dance music's wake by the likes of David Guetta, Pitbull, LMFAO, and so on." However, Henderson was ambivalent towards the album's "patina of dress-up dance music", which he distinguished as "dance music worn in the manner of an expertly executed Halloween costume, both uncannily close to the mark at the same time as it's jovially self-lampooning".[2]