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In page Goodbye Emmanuelle:

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In The New York Times review, critic John Corry observed that "The scenery [in Goodbye Emmanuelle] wins every time", but was less favorable about what he deemed "wearisome" sex scenes. Corry reflected on both aspects in his critique: "The question in the movie is whether Francois Leterrier, its director, was so absorbed in the lovemaking that he just allowed the scenery to creep in, or whether he put it in on purpose. Maybe it doesn't matter."[1]