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In page Symphony No. 10 (Shostakovich):

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In the fourth and final movement, a naively happy tune at a slow andante pace (again heavily influenced by Mahler) that suddenly changes into a fast finale that has the pace of a doom-laden Gopak,[citation needed] which recalls the second movement theme. The fast theme is in turn defeated by the triumphant DSCH theme, which is repeated with increasing agitation through the frantic conclusion. The coda effects a transition to E Major, and at the very end, several instruments have a glissando from an E to the next E.