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In page James Hill (British director):

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Beginning with The Kitchen (1961), based on Arnold Wesker's play, it was quickly followed by two John Mortimer play adaptations, Lunch Hour (1961), showing the dire consequences of a lunch hour romance, and the legal satire The Dock Brief (1962); both essentially two-hander plays. Every Day's a Holiday (1964), for which he also wrote the screenplay, was a teenage pop musical typical of the era.[1]